The creation of the song, (which was called Heapsong#1 but is now Lifeline) began on the 14th of March when Heap asked her fans to upload sounds (a cat’s meow, rustling leaves, banging on pots and pans) that they loved via the musical social network SoundCloud. A day later fans were asked to help with the lyrics, by uploading words to a ‘wordcloud’. The 16th of March was dedicated to drawings and images which the fans “feel connect to the past two inspirational ‘seed’ day’s themes in some way”, while the 17th was dedicated to video and animation clips that would inform the visual content of the video.
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All of this input was taken and reworked in the Heap style, which gave birth to Lifeline, which you can watch and listen to right here.
Few recording and performing artists have embraced social media with as much glee and high-tech savvy as Imogen, who last year wore a “Twitter dress” to the Grammy Awards, allowing her flock to send messages that flashed on a collar embedded with LED lights, or Twitpics that appeared on an iPod Touch encased in a transparent Fendi handbag. But the connections run much further than fashion.
On the subject matter of Lifeline, Heap explained to Billboard.com that “At the time, [the earthquake] had just happened that weekend, and I’m very grateful that it was on their conscious minds, because I wanted to write a song about it but I was only going to write a song about these seeds that they put into this wordcloud.”
Why is she doing this? Heap explains: “Well, there’s so much going on in my life with touring, talks and tech that this was both a necessity coupled with my passion for collaborative, spontaneous and creative projects. I also love the idea of turning the tables in that the seeds of the song begins with you, making a full circle when you experience it as a finished piece.”
Heap is not the only artist who is experimenting with the crowdsourcing model. International pop/rock act Maroon 5 have recently completed a similar exercise. As the Guardian newspaper reports, “Maroon 5’s 24-hour recording session took place in a London studio on 22 March, and was streamed live at cocacola.com/music. This was very much a corporate exercise, with updates and fan input coming via Coke’s official Twitter account, bottles scattered around the studio and the song itself ‘inspired by Coke’.”
While it was not nearly as intense a collaboration as Heap’s, it seems to indicate a growing trend in the music industry as artists strive to connect with their fans in new and unusual ways and social media makes it easier and easier to do so. Gone are the days when artists were held on a pedestal and their creations were released like magic to an adoring public. Fans are keenly aware of how it all works and what’s going on at any given moment. Nevertheless, talent is still a prerequisite and Heap has it in buckets.
As Gus Silber explained after Heap’s visit to South Africa, Imogen Heap has crafted for herself a thriving career, by breaking down the walls that encircle the artistic elite, by casting aside facilitators and go-betweens to communicate directly with her constituents, and more than anything, by making the sort of music that drifts and rises above the hubbub.
But for Imogen Heap this represents the beginning of a whole new phase of her working life. Find out more here about how you can get involved.
